‘Fragments, Fadings and Feelings’, an exhibition of transparent panels echoes the feeling tone of China’s calligraphy. I abstracted the traditional forms to create a more exuberant, robust less restrictive impression of modern China. September 2006.
‘Fragments, Fadings and Feelings’, an exhibition of transparent panels echoes the feeling tone of China’s calligraphy. I abstracted the traditional forms to create a more exuberant, robust less restrictive impression of modern China. September 2006.
